When we watch a film, we kind of “lose” the sense of touch and sent and work only with the sense of sight and hearing. Without a serious investment in sound design in your film, your chances of creating a professional movie production are lost. You can put a lot of money on your film, but if you have a poor sound, your movie is ruined.
We live in a time and area where many independent filmmakers use license royalty-free platforms for their sound design needs – whether it’s the general ambiance, specific effects, or background music. Even if you use this type of sound libraries, I still recommend learning sound design for films. It is an excellent way to enhance your film.
In our online film school courses, we try to focus on the art as much as we can, and in this Sound design for the film course, you will learn how to be creative in your sound design and to develop your instinct while working on the film’s sound. But you will also learn to pay attention to all the details in audio design and their impact on the film. We will go here through the fundamentals of sound in films, including recording sound on locations.
If you want to deepen your knowledge on the subject, I recommend taking the Danny Elfman Teaches Music for Film course. Danny Elfman is one of the film’s most accomplished and original composers, and in this 21 lessons MasterClass, Oscar-nominated composer Danny Elfman teaches you his process for conjuring up music that tells a story. It’s an excellent course for anyone interested in sound/music design for films – even directors. I took the course, and it’s a great one, but I have also to admit that I’m doing affiliate to the MasterClass courses, which means I get paid a small percentage if you buy the course from the link I’ve just shared. It’s a small way for me to make some money, so I can continue posting new articles. But still, it’s a must. Danny Elfman did some of the most original, memorable, and exuberantly weird compositions for movies such as Batman, The Nightmare Before Christmas, Pee-wee’s Big Adventure, The Simpsons and much more, and now he teaches all his secrets about his eclectic creative process and his approach to elevating a story with sound
The Sound design process is a very complex one and requires great sensitivity.
It is an important part of creating an atmosphere and transferring the film’s message.
Sound design is an essential part of the post-production stage. The first reason is that sound design will help you to make a film more believable. It will clean unwanted noises, use sound effects or background noises, and even implant sounds that directly correlate to the action occurring in a scene. These won’t just make the film more realistic; it will also bring your film to life. Good sound design can help the continuity between shots. Let’s say you have shot a scene, and each one of its shots has been shot at a different time and even a different place. With a sound that will flow between all the shots, you can hide it better. Of course, there are many artistic ways to use sound in movies, and we will discuss them later on in this blog.
The sound designer can also make various manipulations on the perception of the audience. In every professional film, each scene’s sound design will be carefully crafted so that the sound won’t just reflect what is happening in the scene; it will also reflect the subtext of the scene. By adding different sound elements to your film, you will elevate your movie.
Sound films consist of three main components:
film dialogue, music, and sound effects. Dialogue is mainly affected by the recordings made in the location. Cleaning noise during this dialogue is one of the most challenging challenges sound designers have to deal with them.
Music is usually written by the composer, although sometimes the sound designer can do it. When a different composer makes the music, the composer will usually sit down with the sound designer for a few guiding meetings.
There are no limits to what you can do with sound in a film, but you should watch out not to put a greater emphasis on the sound and then on the visuals. The sound should support or emphasize what we see in the image. So these are pretty much the things I’m going to go through with my articles. If you have more ideas or questions,
you are more than welcome to contact me.