The 6 Stages of Video Editing

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In this lesson, I’m going to go through the 5 stages of editing, but basically, we can break down the video editing process into two stages:

  1. Assembling the shots into a rough cut and
  2. fine-tuning the rough cut to transform it into a fine-cut.
 

The video editing process is built from several stages. Many people considered this part a simple one (plug shots together like Lego), but this is a mistake that hurts many beginner’s filmmakers. Digital video editing is one of the most critical steps in film production. It is writing the final script of the film. So what are the stages of editing? here are all the stages you need to go through when getting into the editing room. 

Although the video editor enters in the post-production stage, I recommend that the video editor will also be at least in one meeting of the pre-production stage. That way, he can prevent choices that might make trouble when coming to the editing room, and explain what he needs to create the atmosphere the film director needs.

The Log-line

The first question the video editor needs to ask the director is what the movie is about. Not just the plot of the movie, but what it is really about. Whose character’s point of view are we seeing? How does the main character change through the film, and what causes it to change each time. Once the director explains all that, you need to create a log-line, which is the full story in up to 3 lines. You will need to return to this log-line throughout all of the editing’s process- Every time you are not sure about something in the film, you should go and reread the log-line. For example, The Matrix log-line will be A story about a computer hacker that learns from mysterious rebels about reality and his job in the war against those who control his reality.

Importing and Logging the material

All of the digital video editing processes start with logging your footage. Logging means sorting your material into bins and cutting out all the unusable footages. Logging is an excellent opportunity to watch your material. While you are viewing the material, you should also notice if there are problems with the film’s footage and if re-shoot are needed. 

In the past, many productions have a thing called “rushes Dailies,” a meeting of all the lead production members to watch the raw material of what they shot that day. Video editors used to participate in that, so they won’t have to view all of it together. If you are attending this type of daily meeting, it’s essential to take notes, and at the logging, the stage is an excellent place to pay attention to these notes.

In today’s world, because of the massive amount of material that is being shot every day, you don’t see a lot of this daily, and the video editor needs to watch it all at once. Whether there are dailies or not, don’t start editing without waiting all the material before you cut. Especially before each scene, you start editing.

The video editor has to deal with a large amount of raw material. Usually, he will make one minute of film from every few hours of material, so it’s essential to work in an orderly and organized manner. The logging stage is the stage to organize your material. The organization of the material is necessary and will help you to analyze your material and to work more effectively. You can read more about it at my post on Organizing Video & Footage in Your Video Editing Software.

Assembly Cut

First Assembly is also known as assembly cut, or as Editor’s Cut, because usually the director is not present at this stage. It’s basically the first cut of the movie. In this stage, the video editor is connecting the best film’s footage into one very long movie without any real editing. The video editor can work with a shooting script or a storyboard as a guideline, and usually, the video editor will get a script with instructions about how each raw in the scene was cut.   The video editor also needs to go through his notes and there log-line, before starting this stage. 

At the assembly cut stage, it is also possible to insert clips that you are unsure about them. The aim is mainly to arrange the raw materials in the film’s chronicle order while reducing them as much as possible. When you finish the assembly, you might find that every scene’s pace is very different from each other. At this point, it’s OK. Here are some tips for the assembly cut stage:

  • In most cases, you will want to start from the beginning of the film, but sometimes it might work best to start from the middle and connect all the scenes. 
  • If you haven’t watched all the material in the logging stage, this is the time to do it. The assembly cut is where you are going to “throw out” a lot of the footage and don’t want to miss anything. 
  • If you are editing a documentary film, you might want to try a Blind Assembly, which means to edit without the video channels.

The most important thing to remember in this stage is not to over-edit. At this stage, you only want to see the film in its purest form.

Rough Cut

The rough cut stage is also known as Director’s Cut, and there could be several Director’s Cut. It is when the video editor starts thinking about the story. The director and the editor are required to make significant artistic decisions for the film and build the director’s vision. Again the video editor needs to read the log-line, and before each scene that about to be edited, he needs to ask:

  1. Whose scene is this?
  2. What is the main event of the scene?

It is also the time to pay more attention to the structure and the pacing of the movie. The rough cut is shown to the producer and everyone that can contribute to the shaping of the overall editing. The cuts are still not perfect, but the general idea of how the film is going to look like is presented. Usually, the director is going to be more involved in this stage. After the rough cut is ready it is time to go through all the scenes again, and to take a hard look as to what is working and what is not. At some point the producer will join, and with the video editor, they will create the Producer’s Cut

Fine Cut

At this point, the film much shorter and closer to the final length. The director and the video editor have been tightening all the cuts, the dialogs, the pace of the film, and basically every frame. The next stage is going to be to send it to color correction, sound design, etc.,

After the director, producer, and video editor agree on the final product, the video editor releases the movie to the other professional members of the post-production to take care of music, sound effects, motion graphics, etc. I’m going to focus now on the two main final cut elements: Sound Design and Color Correction.

The Final Cut

After the director, producer, and video editor agree on the final product, the video editor releases the movie to the other professional members of the post-production to take care of music, sound effects, motion graphics, etc. I’m going to focus now on the two main final cut elements: Sound Design and Color Correction. In this online film editing course, we are talking a little bit about color correction, and we also have a small course about sound design, and if you want to work as a video editor, I recommend reading them too, since a lot of times (mainly in low budget films), you will be in charge on them also.

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