Depth of field in film (Also known as DOF) is the area in the shot where all the items look sharp. You can say the depth of field “decides” what will be sharp in the picture and what is not.
There are two types of depth in the image:
Shallow Depth is a field in the shot where the focus area is tiny. We usually use it to direct the viewer’s attention to something specific in the frame. You might also see it a lot in interviews. The DSLR cameras became very famous because of their ability to create a shallow depth of field quickly. Anyway, it would be best to remember that the closer you are to the photographed object, the shallower the Depth of field will be.
Deep Depth means that the entire frame from background to the foreground is as sharp as possible.
Three factors affect the depth of field: cinematography
Many tables can help you do the calculations needed, but there are not always accurate and sometimes miss the new cameras and lenses. I recommend playing with those three factors until you’ll have complete control and understanding of them. If you don’t have time for playing, many apps can help you calculate the field depth. Some of them not only does excellent calculations with a depth of field, but it also calculates exposure, running times, and more.
Shooting with a depth of field needs to be considered while planning the shooting breakdown. Let’s say you are shooting a scene with a long shot, a medium shot, and a close-up; you may need to increase the light in the medium shot to get the depth of field you want, even to change the lens. So you need to know about it before you shoot the scene.
The depth of field is a great way to make a good picture and manipulate the viewer’s emotions and concentration. Don’t use it just for the sake of using it. On the set, while looking at the picture on the monitor, you should always ask yourself, is it what I want? How does it serve the scene’s theme and the film’s premise? Using this tool right will make your movie look more professional and exciting.