The plot never does anything by itself. It’s the character that drives every movie. In this article, I’m going to teach you how to develop your characters while keeping your character reliable and exciting.
Developing characters is all about making your characters complex, ambiguous with good and bad qualities. Your character can be stupid if you want it to be, but it has to have an inner logic that it is loyal to it. Your character’s actions in the movie should go by your character’s personality and not out of nowhere.
Think about what makes you relate to a character. Is it when it reminds a little bit of you or someone you like? Or maybe she reminds you of who you want to be. Indiana Jones is an excellent character because he is a tough dude that many of us, men, wish to be. He is also full of adventure spirit we want to have. Look at all the characters you like in films and novels. What is it about them that reminds you of you? What is it that makes you like them?
In the movie Inside out, the writers had to deal with the happiness of the Joy character. The problem was she was happy all the time, and no one can relate to that. The writers did an excellent job with the character by creating two elements: first, Riely started to get sad. Joy tries to fight the sad feelings, and this is when Joy appears to us as vulnerable. The second thing that the writers did is that they made it clear that Joy is happy all the time because she cares about Riely and wants her to be happy and not for selfish reasons.
You should also think if the characters you write are ones that the audience would like to hang out with? Are they interesting enough? Are they funny or smart? What is it about them that makes you want to meet them?
The characters are moving the plot with their choices. The protagonist (The main character) is the leading voice in the story, his goal will be the most important one, but all the characters should have goals too. Why is that so important? The audience wants to see a character that makes things happen. We like the character just because it is trying to change its world (which means the character doesn’t have to succeed). As long as the drive and goals of your characters are clear to the audience, you are in the right place. Find out what each character wants to get from the story.
You also need to know why the characters want to get these goals. What is their motivation? Remember! All of the decisions she’ll make in the story will come from that motivations and goals. Sometimes the motivations might come out of fears. Find out what your character is fear or darkest side and where it is coming from. The character will usually go through a road of obstacles until she gets to where she wanted to be at the beginning of the film.
You should watch out for passive characters. Don’t get me wrong. There are many successful films with passive characters like Big Lebowski, but you have to be a skillful writer. If you are using a passive character, something is got to happen to pull her out from her passiveness.
Your characters need to be believable, and you will get that by making 3-dimensional characters, and you will create that by knowing their back story. Another critical thing to remember is that your character had a life before the story began (unless she is born into the world in the story). Many beginner writers forget that, and they get a very shallow character. You should start by writing her biography. A complete resume of her life from birth until the story started. You have to know your characters, as you know, your best friend. These are the things you need to know about your characters:
If there is something you need to practice is writing backstories. Writing the background of each character in your script is vital to understand the mood and style of the story, you are going to tell. The more you’ll make your character look and feel real, the more the audience will love your character. The more specific you’ll be in its biography – the better.
Don’t write general things like James is a dog with a fear of abandonment, and every time his owners are going out, he is going mad. Write: When James started to get used to his new house and owners, the wife didn’t feel right, and both she and her husband went to the hospital and didn’t come back for two days. Ever since then, he is suffering from a fear of abandonment.
Think about five characters you like from films, TV, or literature and think about what it is about them that you can identify with. That will help you understand the idea better. Put yourself in her shoes and stop to think about her actions and relationships. Look at all the actions she is doing and make her start thinking about them. Make her ask questions like, Why am I doing this? Am I sure this is the right thing to do? Why do I hate this person so much? Don’t be afraid to take details from other people, you know. Start carrying a notebook and start writing interesting details about the people you meet.
Use Psychological websites. There are many sites with psychological tests that you can run your character through. Try that. it’s fun, and you can learn great things about your characters. When you find your character psychology problem, you can go through some books about this problem to understand it even more.
The audience should get to know the main character as much as possible and as fast as possible. The main character in the story is the person from his point of view, and the audience will see the story. The protagonist doesn’t have to be the one who tells the story. In the Disney movie Aladin, we know Aladin is the main character, but the one who tells the story is the old Arab at the beginning of the film (which some claim is the Genie).
Here are 5 tips on writing a strong protagonist:
Look for the emotion – To understand better the protagonist’s drive you need to find out its emotion. What is the one feeling that keeps following your character throughout the script? Is it her obstacle in the film that needs to be changed in the end, or is it what’s motivate her? Or maybe even both? The character’s emotion is something that needs to change throughout the film. For example, the emotion that leads Batman is anger or repressed anger. This feeling makes him walk a thin line between helping people and hurting them.
“JAMES, a small brown dog with three legs, is crawling after his master.”
Remember! You can’t write emotion and thoughts when you describe a character or her actions. For example, you can’t write, “James is sitting on his bone so no one will be able to take it.” You can only describe what the character is thinking through actions or dialog (through actions is better). You also can’t sneak in information about the character- “James, Lior’s dog, is a small brown dog.” Make sure the spelling of the character’s name is consistent throughout the script.
Remember! Your goal is to make the readers care about your characters, so they will more emotionally invest in the story.