The camera angles in a film are one of the most important rules you need to know about filmmaking. Whatever field you’ll take on the film and television industry, whether it’s producing, directing, acting, scriptwriting, etc. It is important for every filmmaker to learn the technical terms of any type of shot.
Why is it so important?
First of all, it will help you to develop your camera techniques. But more importantly:
this is the way all the film casts communicate. It will save you a lot of time (and embarrassments) to know them.
“There is only you and your
camera.The limitations in your
Photography in your self, for
what we see what we are.” Ernes Hass
The Important rules you must know:
This is a rule you will hear lots of your crew member talk about in a film production.
Here’s the deal:
The rule helps you not to mess up the direction of characters in the film while they are relating to each other. For example, if you have a scene with two characters talking to each other, not following this rule, might make them look like they are talking to themselves.
So what’s is the 180 rule?
The 180-degree rule is an imaginary line that connects between the two (or more) characters in the scene. The camera has to stay on the same side of the line during the whole scene. Crossing the line will mess up the direction the characters are looking at.
To make your video editor’s life easier, your camera angle should move at least 30 degrees between each shot of the same subject being shot. For example, if you are shooting a car and you want to shoot it from a different angle,you should make sure your next camera angle will move for at least 30 degrees from the previous shot,
otherwise a “Jump Cut” will appear. A jump cut is when two shots don’t attach together smoothly.
Use Camera movements to built emotion
There are some camera movements that can make the atmosphere in the film a lot stronger. The camera movement is very important to set the emotion of the scene and it something you’ll have to practice a lot. A bad camera movement can really ruin the scene atmosphere. You have to be careful not to use them too much as many beginner directors tend to do, as it might make the audience lose focus. Use them only when it’s necessary to the scene. Remember! a good camera work doesn’t call attention from the audience.
If you decide to go on camera movement, I would recommend shooting the same shot in static camera, just to be safe. Sometimes a movement shot will look great in your head, but in the editing room, it won’t feet and then you’ll be lucky to have the static take too.
As an exercise, I would advise you to shoot a scene with all the movements I’m going to introduce you now and then shoot the same scene again with static cameras and see what kind of scene you are getting each time.
It is a process in which the cameraman changes the lens length from long
(Wide Angle) to close-up. This movement tells the viewer that what is happening now is important. Usually, we use it when the character becomes emotional or to highlight what is being said.
Same as Zoom In but inverted
Pan Left \ Right
While the camera is sitting on a tripod, we set in motion its lens to the left or right. It means that the camera is scanning the scene horizontally. If you’ll nod your he’d left and right, you will see how pan left and pan right looks like. If the director wants to see more of the right, he will ask the cameraman to Pan Right. These movements often are done relatively slowly unless doing what is called:
“Swish Pan” which is a very fast pan that creates a blurred background. This camera movement also very good to immolate point of view
Tilt Up, Down
While the camera is stable on a tripod, move the lens up or down, so the camera is scaring the scene vertically. If you’ll nod your head up and down, you will see how tilt up and down looks like. If the director wants to see more of below the frame, he will tell the cameraman to tilt down.
Usually, we use it to show the size and power of a person or an object in relation to the viewer, So the viewer feels as if he is looking up. The same thing when you want to emphasize the lack of power Tilt down will show the bottom part of a photographed object.This camera movement also very good to immolate point of view
Enhance your camera movements
The movement we saw up to now are very simple, but there is a way to make them look much more powerful. The Dolly is kind of a cart that you put on tracks and put the camera on it and it creates smooth motion. It makes the viewer less passive while watching and feel more active.
Also known as” Dolly Zoom”. Dolly in means to get closer to the object and Dolly Out means to get away from it. It is quite similar to Zoom In and Out, but there is a big difference:
On a Dolly shot the ratio of the photographed object and its environment will remain similar, so the visual effect will be a lot stronger in the “Dolly shot”. The way to do this is by pulling the camera backward or pushing it forward while pulling the zoom on the lens to the opposite direction. It will always look better then zoom in because zoom in calls for more attention from the audience, while the dolly in is more subtle.
is byTry them both and see the difference. t
Move the camera on the dolly to the right or the left. This kind of movements is good to create at the viewer a feeling of more activeness.
Make your movement look professional
It is very important that your camera movements will be smooth and substantial to the story, otherwise, they will attract too much attention and it will interrupt the viewer to Be “sucked” into the atmosphere of the film. The viewer might be too aware of the fact that he is watching a movie, and once that happens, you lose him.
Therefore, it is very important to practice as much as possible on these camera movements.
Your home work for today is to start paying attention to the camera angels and movement in the films and tv shows you are watching. Try also to take it a step forward and understand what are the emotion the director is trying to set with these angels.